
Michelangelo Anselmi worked in Parma in the years when Correggio and Parmigianino were remaking Italian painting there. His frescoes run along chapel arches and up into domed vaults. An angel sits half-hidden by cloud, a lamb inside a painted border, faces turned in soft Renaissance light. Much of this work sits high above a church floor. Printed as detail, it comes back down to eye level.

Wall Art
by Michelangelo Anselmi

Wall Art
by Michelangelo Anselmi
Michelangelo Anselmi (c.1491-1554) was an Italian painter of the Renaissance, active almost entirely in Parma. He trained in Siena, and that Sienese softness never quite left him, though in Parma he came under the influence of Correggio and later Parmigianino. Anselmi worked mainly in fresco, decorating chapels in Parma Cathedral, San Giovanni Evangelista and Santa Maria della Steccata. His figures are rounded and gentle, his colour warm and pale. Records of his life are thin, and a number of attributions are still argued over by scholars.
The range is made of fresco details, photographed close. A lamb on the inner band of an arch. Angels rising under painted cloud in a domed vault. Ornament from the chapel borders, where Anselmi's decorative invention is at its freest. Colours stay muted: chalk white, warm brown, faded rose, old gold.
Fragments of fresco behave differently from framed paintings. They read as colour and texture before they read as subject, which makes them easy to live with. Hang them in a dining room or up a stairwell, in slim gilt or plain dark frames. A group of four details makes a fine arrangement on one wall, since they were painted as parts of a single scheme to begin with.
Every artwork here is an archival print, hand-framed to order and delivered ready to hang — made in India.
Wall Art
by Michelangelo Anselmi

Wall Art
by Michelangelo Anselmi