Tsukioka Yoshitoshi
Tsukioka Yoshitoshi lived from 1839 to 1892. He is often called the last great master of the Japanese ukiyo-e woodblock print. Yoshitoshi worked through the upheavals of the Meiji era, when Japan was changing quickly around him. He is admired for his historical, supernatural and moonlit subjects, which carry both drama and stillness.

Wall Art
A young woman from kansei period playing with her cat by Tsukioka Yoshitoshi (1888)
by Tsukioka Yoshitoshi

Wall Art
Oniwaka and Carp; Taira no Koremochi and the Demon by Tsukioka Yoshitoshi (1868)
by Tsukioka Yoshitoshi

Wall Art
Songoku, the Monkey King and the Jewelled Hare by the Moon by Tsukioka Yoshitoshi (1891)
by Tsukioka Yoshitoshi

Wall Art
A Sudden Police Raid on Unlicensed Prostitutes by Tsukioka Yoshitoshi (1875)
by Tsukioka Yoshitoshi

Wall Art
Raishin and the Wind and Thunder Gods by Tsukioka Yoshitoshi (1865)
by Tsukioka Yoshitoshi

Wall Art
Mount Tobisu dawn moon: Toda Hanbei Shigeyuki, from the series One Hundred Aspects of the Moon by Tsukioka Yoshitoshi (1887)
by Tsukioka Yoshitoshi

Wall Art
Ashikaga Yoshimitsu Admiring the Golden Pavilion by Tsukioka Yoshitoshi (1879)
by Tsukioka Yoshitoshi

Wall Art
Nomi no Sukune Wrestling with Taima no Kehaya by Tsukioka Yoshitoshi (1885)
by Tsukioka Yoshitoshi
About Tsukioka Yoshitoshi
Tsukioka Yoshitoshi lived from 1839 to 1892. He is often called the last great master of the Japanese ukiyo-e woodblock print. Yoshitoshi worked through the upheavals of the Meiji era, when Japan was changing quickly around him. He is admired for his historical, supernatural and moonlit subjects, which carry both drama and stillness.
The Tsukioka Yoshitoshi Collection at BestOfBharat
This collection holds gallery-quality reproductions of Yoshitoshi's most recognisable prints. Miyamoto Musashi Slashing a Tengu shows the swordsman mid-strike against a supernatural foe. Its companion, Miyamoto Musashi Slashing a Bat, carries the same charged energy. For a calmer mood, A young woman from the Kansei period playing with her cat is a tender domestic scene. The "Looking" series of portraits is here too, including Looking feminine and Looking refined. Every piece is an archival print, hand-framed to order in India.
Tsukioka Yoshitoshi in Your Space
Yoshitoshi's prints settle well into an Indian home. A single moonlit or supernatural scene brings quiet drama to a study or reading corner. The Musashi pair suits a hallway or a wall behind a desk, where their motion reads from across the room. The softer portraits work in a bedroom or a lounge, paired with warm wood and plain walls. Choose one print for a focal point, or hang two or three of the "Looking" portraits in a row for rhythm.
Every artwork here is an archival print, hand-framed to order and delivered ready to hang — made in India.




