Jean Baptiste Camille Corot
Jean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.

Wall Art
View from the Farnese Gardens, Rome by Jean Baptiste Camille Corot (1826)
by Jean Baptiste Camille Corot
![Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot](https://images.bestofbharat.com/2024/05/VGGL-ANC-01-278-1-450x450.jpg)
Wall Art
Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot
by Jean Baptiste Camille Corot

Wall Art
Diana and Actaeon (Diana Surprised in Her Bath) by Jean Baptiste Camille Corot (1836)
by Jean Baptiste Camille Corot

Wall Art
The Departure of the Boatman by Jean Baptiste Camille Corot (1870-1872)
by Jean Baptiste Camille Corot

Wall Art
Willows and White Poplars (Saules et peupliers blancs) by Jean Baptiste Camille Corot (1871)
by Jean Baptiste Camille Corot

Wall Art
The Solitude. Recollection of Vigen, Limousin by Jean Baptiste Camille Corot (1866)
by Jean Baptiste Camille Corot

Wall Art
Souvenir of the Environs of Monaco (Souvenir des environs de Monaco) by Jean Baptiste Camille Corot (1860)
by Jean Baptiste Camille Corot

Wall Art
Shepherd's Bath (Le Bain du berger) by Jean Baptiste Camille Corot (1853)
by Jean Baptiste Camille Corot

Wall Art
Seine and Old Bridge at Limay by Jean Baptiste Camille Corot (1872)
by Jean Baptiste Camille Corot

Wall Art
Ville d'Avray, Woodland Path Bordering the Pond by Jean Baptiste Camille Corot (1872)
by Jean Baptiste Camille Corot

Wall Art
Shepherds of Arcadia by Jean Baptiste Camille Corot (c. 1872)
by Jean Baptiste Camille Corot
About Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.
The Jean-Baptiste-Camille Corot Collection at BestOfBharat
Most of the range is landscape. Roads and lanes at Ville-d'Avray, brooks running under trees, a village street at Dardagny, the waterfall at Terni. Evening scenes and mythological groups appear, along with the Italian figure studies. Corot's tonal range is narrow by design, so several prints hung together stay coherent rather than competing with each other. Sizes run from small studies to wide landscapes.
Jean-Baptiste-Camille Corot in Your Space
Corot is an easy painter to live with, because the palette barely raises its voice. Grey-greens and soft creams go with almost any wall colour. A single lane-through-trees above a console table works in a hallway that gets little daylight. In a bedroom, hang two together in slim dark frames. Corot pairs well with Constable and with Pissarro. Keep anything else on the same wall equally quiet.
Every artwork here is an archival print, hand-framed to order and delivered ready to hang — made in India.

