Jean Baptiste Camille Corot
97 Wall ArtJean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.

Wall Art
Village Interior by Jean Baptiste Camille Corot (about 1850-1860)
by Jean Baptiste Camille Corot
![Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot](https://images.bestofbharat.com/2024/05/VGGL-ANC-01-278-1-450x450.jpg)
Wall Art
Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot
by Jean Baptiste Camille Corot

Wall Art
Farmyard with a Rider and a Little Girl in the Foreground by Jean Baptiste Camille Corot
by Jean Baptiste Camille Corot

Wall Art
Willows and White Poplars (Saules et peupliers blancs) by Jean Baptiste Camille Corot (1871)
by Jean Baptiste Camille Corot

Wall Art
Willows and Farmhouse at Sainte-Catherine-lès-Arras by Jean Baptiste Camille Corot (1871)
by Jean Baptiste Camille Corot

Wall Art
The Stonecutters by Jean Baptiste Camille Corot (c. 1872-74)
by Jean Baptiste Camille Corot

Wall Art
The Rider in the Reeds (Le Cavalier dans les roseaux) by Jean Baptiste Camille Corot
by Jean Baptiste Camille Corot

Wall Art
The Pond at the Entrance of the Woods by Jean Baptiste Camille Corot (c. 1860-75)
by Jean Baptiste Camille Corot

Wall Art
The Paver of the Chailly Road, Fontainbleau by Jean Baptiste Camille Corot (ca.1830-1835)
by Jean Baptiste Camille Corot
About Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.
The Jean-Baptiste-Camille Corot Collection at BestOfBharat
Most of the range is landscape. Roads and lanes at Ville-d'Avray, brooks running under trees, a village street at Dardagny, the waterfall at Terni. Evening scenes and mythological groups appear, along with the Italian figure studies. Corot's tonal range is narrow by design, so several prints hung together stay coherent rather than competing with each other. Sizes run from small studies to wide landscapes.
Jean-Baptiste-Camille Corot in Your Space
Corot is an easy painter to live with, because the palette barely raises its voice. Grey-greens and soft creams go with almost any wall colour. A single lane-through-trees above a console table works in a hallway that gets little daylight. In a bedroom, hang two together in slim dark frames. Corot pairs well with Constable and with Pissarro. Keep anything else on the same wall equally quiet.
Every artwork here is an archival print, hand-framed to order and delivered ready to hang — made in India.



