Jean Baptiste Camille Corot
Jean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.
![Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot](https://images.bestofbharat.com/2024/05/VGGL-ANC-01-278-1-450x450.jpg)
Wall Art
Dance of the Three Bergeres [Shepherdesses] during the Evening by Jean Baptiste Camille Corot
by Jean Baptiste Camille Corot

Wall Art
View from the Farnese Gardens, Rome by Jean Baptiste Camille Corot (1826)
by Jean Baptiste Camille Corot

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Horseman Halted in the Countryside (Cavalier arrete dans la campagna) by Jean Baptiste Camille Corot (1874)
by Jean Baptiste Camille Corot

Wall Art
River with a Distant Tower by Jean Baptiste Camille Corot (1865)
by Jean Baptiste Camille Corot

Wall Art
Italian Landscape (Site d'Italie, Soleil Levant) by Jean Baptiste Camille Corot (about 1835)
by Jean Baptiste Camille Corot

Wall Art
The Solitude. Recollection of Vigen, Limousin by Jean Baptiste Camille Corot (1866)
by Jean Baptiste Camille Corot

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The fisherman: evening effect by Jean Baptiste Camille Corot (c.1865-70)
by Jean Baptiste Camille Corot

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Shepherds of Arcadia by Jean Baptiste Camille Corot (c. 1872)
by Jean Baptiste Camille Corot

Wall Art
Shepherd's Bath (Le Bain du berger) by Jean Baptiste Camille Corot (1853)
by Jean Baptiste Camille Corot

Wall Art
Le Lac (also known as Le Chemin des Vaches) by Jean Baptiste Camille Corot (1872-1875)
by Jean Baptiste Camille Corot

Wall Art
Wheat Field in the Morvan Region by Jean Baptiste Camille Corot (1842)
by Jean Baptiste Camille Corot
About Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot (1796-1875) trained in the classical tradition and spent three long spells in Italy, painting the light at Narni and Tivoli with startling directness. Back in France he built the silver-grey manner he is known for: feathery trees, still water, a small red figure placed to hold the eye. Corot was generous with money and with praise, and the younger Impressionists treated him as a father. His figure paintings were barely seen in his lifetime.
The Jean-Baptiste-Camille Corot Collection at BestOfBharat
Most of the range is landscape. Roads and lanes at Ville-d'Avray, brooks running under trees, a village street at Dardagny, the waterfall at Terni. Evening scenes and mythological groups appear, along with the Italian figure studies. Corot's tonal range is narrow by design, so several prints hung together stay coherent rather than competing with each other. Sizes run from small studies to wide landscapes.
Jean-Baptiste-Camille Corot in Your Space
Corot is an easy painter to live with, because the palette barely raises its voice. Grey-greens and soft creams go with almost any wall colour. A single lane-through-trees above a console table works in a hallway that gets little daylight. In a bedroom, hang two together in slim dark frames. Corot pairs well with Constable and with Pissarro. Keep anything else on the same wall equally quiet.
Every artwork here is an archival print, hand-framed to order and delivered ready to hang — made in India.

