Francisco Goya
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Wall Art Add to WishlistRemove from Wishlist Add to WishlistPlate 19 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘There isn’t time now.’ (Ya no hay tiempo.) by Francisco Goya (1810 (published 1863))
Plate 19 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘There isn’t time now.’ (Ya no hay tiempo.) by Francisco Goya (1810 (published 1863))
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Plate 19 of the ‘Tauromaquia’: Another madness of his in the same ring. by Francisco Goya (1816)
Plate 19 of the ‘Tauromaquia’: Another madness of his in the same ring. by Francisco Goya (1816)
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Plate 20 from the ‘Tauromaquia’:The agility and audacity of Juanito Apiñani in [the ring] at Madrid. by Francisco Goya (1816)
Plate 20 from the ‘Tauromaquia’:The agility and audacity of Juanito Apiñani in [the ring] at Madrid. by Francisco Goya (1816)
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Plate 24 from ‘The Disasters of War’ (Los Desastres de la Guerra):’ They can still be of use.’ (Aun podrán servir.) by Francisco Goya (1810)
Plate 24 from ‘The Disasters of War’ (Los Desastres de la Guerra):’ They can still be of use.’ (Aun podrán servir.) by Francisco Goya (1810)
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Plate 28 of the ‘Tauromaquia’: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. by Francisco Goya (1816)
Plate 28 of the ‘Tauromaquia’: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. by Francisco Goya (1816)
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Plate 29 of the ‘Tauromaquia’: Pepe Illo making the pass of the ‘recorte’. by Francisco Goya (1816)
Plate 29 of the ‘Tauromaquia’: Pepe Illo making the pass of the ‘recorte’. by Francisco Goya (1816)
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Plate 31 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘That’s tough!’ (Fuerte cosa es!) by Francisco Goya (1810 (published 1863))
Plate 31 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘That’s tough!’ (Fuerte cosa es!) by Francisco Goya (1810 (published 1863))
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Plate 31 of the ‘Tauromaquia’: Banderillas with firecrackers. by Francisco Goya (1816)
Plate 31 of the ‘Tauromaquia’: Banderillas with firecrackers. by Francisco Goya (1816)
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Plate 32 from The Disasters of War by Francisco Goya
Plate 32 from The Disasters of War by Francisco Goya
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Plate 32 from the ‘Tauromaquia’:Two teams of picadors thrown one after the other by a single bull. by Francisco Goya (1816)
Plate 32 from the ‘Tauromaquia’:Two teams of picadors thrown one after the other by a single bull. by Francisco Goya (1816)
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Plate 34 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘On account of a knife.’ (Por una navaja.) by Francisco Goya (1810 (published 1863))
Plate 34 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘On account of a knife.’ (Por una navaja.) by Francisco Goya (1810 (published 1863))
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Plate 35 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘One Can’t Tell Why.’ (No se puede saber por qué.) by Francisco Goya (1810 (published 1863))
Plate 35 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘One Can’t Tell Why.’ (No se puede saber por qué.) by Francisco Goya (1810 (published 1863))
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Plate 39 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘An heroic feat! With dead men!’ (Grande hazaña! Con muertos!) by Francisco Goya (1810 (published 1863))
Plate 39 from ‘The Disasters of War’ (Los Desastres de La Guerra): ‘An heroic feat! With dead men!’ (Grande hazaña! Con muertos!) by Francisco Goya (1810 (published 1863))
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Plate 44 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘I saw it.’ (Yo lo vi.) by Francisco Goya (1810)
Plate 44 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘I saw it.’ (Yo lo vi.) by Francisco Goya (1810)
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Plate 58 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘It’s no use crying out.’ (No hay que dar voces.) by Francisco Goya (1811-12)
Plate 58 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘It’s no use crying out.’ (No hay que dar voces.) by Francisco Goya (1811-12)
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Plate 65 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘What is this hubbub?’ (Qué alboroto es este?) by Francisco Goya (after 1814–15 (published 1863))
Plate 65 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘What is this hubbub?’ (Qué alboroto es este?) by Francisco Goya (after 1814–15 (published 1863))
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Plate 66 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘Strange devotion!’ (Extraña devocion!) by Francisco Goya (after 1814–15 (published 1863))
Plate 66 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘Strange devotion!’ (Extraña devocion!) by Francisco Goya (after 1814–15 (published 1863))
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Plate A from the ‘Disparates’:Well-Known Folly by Francisco Goya (ca.1816–23 (published before 1877))
Plate A from the ‘Disparates’:Well-Known Folly by Francisco Goya (ca.1816–23 (published before 1877))
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Plate D from the ‘Disparates’: Fools-‘or Little Bulls’ – folly by Francisco Goya (ca.1816–23 (published 1877))
Plate D from the ‘Disparates’: Fools-‘or Little Bulls’ – folly by Francisco Goya (ca.1816–23 (published 1877))
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Plate10 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘Nor [do these] either.’ (Tampoco.) by Francisco Goya
Plate10 from ‘The Disasters of War’ (Los Desastres de la Guerra): ‘Nor [do these] either.’ (Tampoco.) by Francisco Goya
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Poor Folly by Francisco Goya (circa 1815-1816-1823)
Poor Folly by Francisco Goya (circa 1815-1816-1823)
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Rendon steekt zijn lans in een stier by Francisco Goya (1811-1816)
Rendon steekt zijn lans in een stier by Francisco Goya (1811-1816)
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Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante]) by Francisco Goya (ca.1813-1820)
Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante]) by Francisco Goya (ca.1813-1820)
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She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial]) by Francisco Goya (ca.1813-1820)
She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial]) by Francisco Goya (ca.1813-1820)
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Simpleton plate 4 from the series ‘Los Disparates’ (The Follies) by Francisco Goya (1816-23)
Simpleton plate 4 from the series ‘Los Disparates’ (The Follies) by Francisco Goya (1816-23)
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Stierenvechters in een arena by Francisco Goya
Stierenvechters in een arena by Francisco Goya
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Still Life with Golden Bream by Francisco Goya (1808-1812)
Still Life with Golden Bream by Francisco Goya (1808-1812)
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The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid) by Francisco Goya (1816)
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid) by Francisco Goya (1816)
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The Bulls of Bordeaux: Spanish Entertainment by Francisco Goya (1825)
The Bulls of Bordeaux: Spanish Entertainment by Francisco Goya (1825)
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The Cid Campeador Attacking a Bull with His Lance by Francisco Goya (1814-1816)
The Cid Campeador Attacking a Bull with His Lance by Francisco Goya (1814-1816)
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The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) by Francisco Goya (ca.1813-1820)
The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) by Francisco Goya (ca.1813-1820)
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The Clever ‘Student of Falces’ Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14 by Francisco Goya (1814-1816)
The Clever ‘Student of Falces’ Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14 by Francisco Goya (1814-1816)
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The Disasters of War: And There’s No Help for it by Francisco Goya (1810-1820)
The Disasters of War: And There’s No Help for it by Francisco Goya (1810-1820)
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The Famous American, Mariano Ceballos by Francisco Goya (1825)
The Famous American, Mariano Ceballos by Francisco Goya (1825)
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The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid) by Francisco Goya (1816)
The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid) by Francisco Goya (1816)
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The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz) by Francisco Goya (1816)
The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz) by Francisco Goya (1816)
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The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open by Francisco Goya (1815-1816)
The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open by Francisco Goya (1815-1816)
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The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas) by Francisco Goya (1816)
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas) by Francisco Goya (1816)
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The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado sobre Otro Toro Quiebra Rejones en la Plaza de Madrid) by Francisco Goya (1816)
The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado sobre Otro Toro Quiebra Rejones en la Plaza de Madrid) by Francisco Goya (1816)
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The Unlikely Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid) by Francisco Goya (1816)
The Unlikely Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid) by Francisco Goya (1816)
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The Way in Which the Ancient Spaniards Hunted Bulls on Horseback (Modo con que los Antiguos Españoles Cazaban los Toros á Caballo en el Campo) by Francisco Goya (1816)
The Way in Which the Ancient Spaniards Hunted Bulls on Horseback (Modo con que los Antiguos Españoles Cazaban los Toros á Caballo en el Campo) by Francisco Goya (1816)
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There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) by Francisco Goya (ca.1813-1820)
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) by Francisco Goya (ca.1813-1820)
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They do not agree (No se convienen) by Francisco Goya (1810-20)
They do not agree (No se convienen) by Francisco Goya (1810-20)
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They Play Another with the Cape in an Enclosure (Capean Otro Encerrado) by Francisco Goya (1816)
They Play Another with the Cape in an Enclosure (Capean Otro Encerrado) by Francisco Goya (1816)
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This is the (absolute) worst! (Esto es lo peor!) by Francisco Goya (1810-20)
This is the (absolute) worst! (Esto es lo peor!) by Francisco Goya (1810-20)
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This is too much! (Fuerte cosa es!) from the series The Disasters of War (Los Desastres de la Guerra) by Francisco Goya (1810-1863)
This is too much! (Fuerte cosa es!) from the series The Disasters of War (Los Desastres de la Guerra) by Francisco Goya (1810-1863)
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To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) by Francisco Goya (ca.1813-1820)
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) by Francisco Goya (ca.1813-1820)
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Un Caballero español mata un toro después de haber perdido el caballero by Francisco Goya (1816)
Un Caballero español mata un toro después de haber perdido el caballero by Francisco Goya (1816)
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